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Portrait of Adele Bloch-Bauer _©Wikipedia. Adele Bloch-Bauer I was immortalized in a portrait by Gustav Klimt, which is now known as the "Portrait of Adele Bloch-Bauer I" or "The Woman in Gold." The painting, completed in 1907, is a stunning example of Klimt's signature style, featuring intricate patterns and rich, shimmering gold.
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Adele Bloch-Bauer was a wealthy society woman, hostess of a renowned Viennese salon, art patron, and philanthropist. Her famous portraits by Klimt are historical witnesses to the significance of Jewish patronage during the Golden Era of fin-de-siècle Vienna. Among the famous guests in her salon were composer Gustav Mahler, journalist Berta.
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'The Woman in Gold' was one of Gustav Klimt's most famous paintings. It was a portrait of Adele Bloch-Bauer, but it was taken from her family by the Nazis and only returned to them after a long.
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Adele's husband, Ferdinand Bloch-Bauer, hired Klimt to paint both paintings. Klimt painted Portrait of Adele Bloch-Bauer II in 1912. Some artists also think Adele Bloch-Bauer might be the woman in The Kiss and Judith and the Head of Holofernes. Before Adele Bloch-Bauer died, she said she wanted the painting to go to the Belvedere Gallery. But.
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Photo of Portrait of Adele Bloch-Bauer I Adele Bloch-Bauer possesses the rare distinction as the only person Klimt ever painted twice. In 2006, Portrait of Adele Bloch-Bauer I , was purchased for the Neue Galerie in New York by Ronald Lauder for a reported US $135 million, surpassing Picasso's 1905 Boy With a Pipe (sold May 5, 2004 for $104 million), as the highest reported price ever paid for.
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The work is a portrait of Adele Bloch-Bauer (1881-1925), a Vienna socialite who was a patron and close friend of Klimt. [1] In 1907, Klimt completed an earlier portrait of Bloch-Bauer. During World War II, both portraits were among the artworks stolen by the Nazis from the descendants of Bloch-Bauer. After the war, Portrait of Adele Bloch.
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Adele Bauer (1881-1925) was born into a prominent Viennese Jewish banking family. In 1899, she married the wealthy sugar magnate, Ferdinand Bloch (1864-1945); he was seventeen years her senior. She was twenty-six years old when this portrait was completed. Adele was a member of cultured Viennese society and an enthusiast of contemporary art; she was intelligent, although like most women of her.
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Adele Bloch-Bauer (née Bauer; August 9, 1881 - January 24, 1925) was a Viennese socialite, salon hostess, and patron of the arts from Austria-Hungary.A Jewish woman, she is most well known for being the subject of two of artist Gustav Klimt's paintings: Portrait of Adele Bloch-Bauer I and Portrait of Adele Bloch-Bauer II, and the fate of the paintings during and after the Nazi Holocaust.
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Exhibition. Sep 5, 2014-Aug 15, 2016. One of two formal portraits that Gustav Klimt made of Adele Bloch-Bauer, an important patron of the artist, is now on view at MoMA as a special long-term loan from a private collection. Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, a wealthy industrialist in Vienna, where Klimt lived and worked.
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Artist and Muse: Adele Bloch-Bauer and Gustav Klimt's Relationship. After a brief public exhibition, which garnered mixed reviews, Gustav Klimt's Portrait of Adele Bloch-Bauer I was displayed privately in the palatial Bloch-Bauer apartment in Vienna.. Delighted with the strikingly modern painting, the Bloch-Bauers commissioned Klimt to create a second portrait of Adele.
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Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt. Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, who was a wealthy industrialist who sponsored the arts and supported Gustav Klimt. Adele Bloch-Bauer was the only model to be painted twice by Klimt; she also appeared in the much more famous Portrait of Adele Bloch-Bauer I. Adele's.
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Gustav Klimt's 1907 "Adele Bloch-Bauer I" is his most famous portrait and the pinnacle of his "Golden Style.". It can be read as a secular icon and includes African, Asian, Byzantine, and Egyptian references. Gustav Klimt, holding a cat in his arm (c. 1911) by Moriz Nähr Wien Museum. The genesis for this picture dates back to 1903 when.
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Adele Bloch-Bauer was an avid art patron at the centre of Vienna's cultural life. And when she sat for a portrait by Gustav Klimt, she became an icon, writes Kimberly Bradley.
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Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907.The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer [], a Jewish banker and sugar producer.The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere.
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This "golden style" depiction of Adele Bloch-Bauer is arguably Klimt's most famous portrait. She was the only sitter that Klimt painted twice in full-legth. Klimt received the commission in 1903 but did not complete the painting until 1907, when it was presented in Mannheim that same year. Klimt executed hundreds of preparatory sketches in preparation for the final composition and tried posing.
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Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer (de), a Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the.